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In the dusty streets of Crow's Landing, outlaws, wealthy plantation owners, runaway slaves, a half Cherokee girl, a pair of brothel owners and a woman days away from giving birth all end up in a bloody shoot out and running for their lives.

When he learns that his daughter is to be engaged to the son of a rich businessman, Leon Martin realizes that extreme measures are needed to create a good impression.

Nina, a young actor, returns to the Ruhr region for her grandmother’s funeral. Tensions surface between her and her mother. The noises of a small town fill the eloquent silences in the complex mother-daughter relationships explored in this endearing film.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

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In 1986, Miller's End, Kentucky has become the target of something wicked. Many fall victim to a malevolent presence as a lawman and a mourning father are hell bent on solving the mystery and saving their town.

The two-part series examines Niall Ferguson's six principles of prosperity: Competition, Science, Modern Medicine, Property, Consumerism, and Work Ethic. For the past five centuries, Western power has prevailed around the world. What led the West to be so influential? And how long will the West sustain its supremacy?