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Zane Malik and the Major Crime Squad investigate crime and murder in all quarters of multicultural Sydney.

Inspired by the 1930s court case Roldan vs. Los Angeles County, Filipino Salvador Roldan and English Marjorie Rogers must find a way to convince an attorney to fight for their marriage despite the anti-miscegenation laws of the time.

When a young woman returns to Wyoming to bury her mother, she reunites with her childhood friend, a hard-living rodeo princess, who forces her to confront a shared trauma from their past.

In the dusty streets of Crow's Landing, outlaws, wealthy plantation owners, runaway slaves, a half Cherokee girl, a pair of brothel owners and a woman days away from giving birth all end up in a bloody shoot out and running for their lives.

暂无英文版的简介，请添加内容帮助我们完善数据库。

We don't have an overview translated in English. Help us expand our database by adding one.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

When he learns that his daughter is to be engaged to the son of a rich businessman, Leon Martin realizes that extreme measures are needed to create a good impression.